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Book 1 Book 2 Book 3 Book 4 Book 5 Book 6 Book 7 Book 8 Book 9 Book 10 Book 11 Book 12 Book 13 Book 14 Book 15 Book 16 Book 17 Book 18 Book 19 Book 20 Book 21 Book 22 Book 23 Book 24 Wool Designs About Elsebeth

Logo: Elsebeth Lavold Designer's Choice
Logo: The Sunny Side Collection

Cover of The Sunny Side Collection

Continue to
  The Photo Gallery

  The Angora page
  The Cable Cotton page
  The Cotton Frappé page
  The Cotton Patiné page
  The Hempathy page
  The Silky Cashmere page
  The Silky Wool page
  The Errata page

All of the designs in the book are displayed in the Gallery (link below the cover).
  The books and yarns are available in fine yarn stores in the USA and Canada.

Back Cover Text:
By her own assessment, working with an interesting and fun yarn like Cotton Frappé, which comes in both solids and mix colors, has really brought out the sunny side of designer Elsebeth Lavold. After browsing through the collection, you will most likely agree.
   The Sunny Side Collection is the most summery, relaxed, and easy-to-knit she has produced to date. No less than eight designs are made in Cotton Frappé. Honey, a solid color shell with a beautiful lace pattern on the front as well as the back, shown on the front cover combined with a multi-colored wrap cardigan, Meadow, are two of them. Back cover design Gladys, the versatile sweater with three V-neck variations, is another.
   Other yarns used in the collection are Angora, Cable Cotton, Cotton Patiné, Hempathy, Silky Cashmere, and Silky Wool. Most of the designs are less demanding to knit, but it wouldn't be an Elsebeth Lavold collection if it didn't also include challenges for the advanced knitter. The intricately patterned jacket Felicia is one example.
   Both knitters who appreciate Elsebeth Lavold's more classical and stylish designs and those who have waited for her to show a little more wild side have a good chance of finding a favorite in The Sunny Side Collection.

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Copyright © unless otherwise stated
 Elsebeth Lavold, knitwear design & drawings
Anders Rydell, text & photos